Roll B is Ansco Supreme Safety "36". The ticket number exposures are very difficult to read - cannot even guess at the series.
B Roll Black Frames (change of location and/or day? - approx every 100 frames):
101st frame (same location - Flood Building)
100 frames later (same location - Flood Building)
100 frames later (same location - Woolworth's/Flood Building)
100 frames later (same location - Grayson's)
100 frames later (same location - Flood Building)
100 frames later (same location - Flood Building)
100 frames later (same location - Flood Building)
100 frames later (same location - in front of United Artists)
100 frames later (location change - from 942 Market to Flood Building - possibly next day)
100 frames later (same location - Flood Building)
100 frames later (same location - Flood Building)
100 frames later (same location - Flood Building)
100 frames later (same location - Flood Building)
100 frames later (same location - Flood Building)
Clocks in Roll B
Day 1 - 12:18 pm
Day 2 - 12:00 pm ; 4 frames later 12:05 pm; 8 frames later 12:10 pm
Day 3 - 1:50 pm; 16 frames later 1:55 pm; 157 frames later 3:00 pm ?
Theatre Marquees on Roll B
Pix Theatre ...Fever; (Portrait?) of a Sinner (also known as: Rough & the Smooth - 1961); Skabenga (also known as: The Killer Lust - 1955)
Pix Theatre ...Guns to Mesa (Never on Sunday in background - Esquire)
Pix Theatre Hell to Eternity; Arson for Hire; The Naked Hills (Never on Sunday in background - Esquire)
; 63 frames later 2 ; 3; 4;
5; 45 frames later - many good ones, also exposure change 6; 176 frames later 7
Pix Theatre ...the Great; A Date with Death
Unidentified Theatre (The Crest per Tillmany note) The Spider; Wasp Woman
Guild Theatre Lonely Man; Slaughter on 10th Ave; From Earth to the Moon; 2
Unidentified Theatre (United Artists per Tillmany note) Spartacus; 2
Esquire Never on Sunday; 2 ; 3
Rare Furs on Market; 2; 3;
4
Cable Car Turnaround 1; 2
Photo Booth in arcade
Newspapers to match against microfilm1 Boxer in sports section; 2 interior page; 3 front page headline
Andrew Eskind: Research in Progress, April 2004